Sound designer

Soren Miller

Sound designer and electronic music producer/composer with over 10 years of sound design and music composition experience. Passionate about creating immersive soundscapes for video games. Skilled in all modern audio production tools with experience in audio editing, synthesis, recording, audio middleware, and more.

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Portfolio

My Experience

Dynamic, innovative, and deeply passionate about immersive audio experiences within the gaming realm,

I am a dedicated Sound Designer with a proven track record of elevating gameplay through meticulously crafted soundscapes. I bring a unique blend of technical expertise and creative flair to every project I undertake. From ambient atmospheres that transport players to distant worlds to heart-pounding action sequences that intensify gameplay, I thrive on pushing the boundaries of audio design to captivate and engage audiences.

More about me:

View My Resume

Troupe’s Tail

2023-Present

Sound Designer

Designed new game dialogue, foley, UI sounds, and other SFX. Worked with programmers to design music and SFX playback logic. Assisted with FMOD audio middleware implementation to replace a deprecated C#script-based audio and music playback system.

Get Seen Podcast

2023-Present

Audio Engineer

Mixed, mastered, and normalized podcast audio for release on streaming platforms. Provided professional audio advice for recording gear and setup procedures. Created and edited short form marketing materials for Instagram, Facebook, and TikTok from podcast recordings.

Howard Group

2021

Assistant Warehouse Manager

Prepared audio equipment sets for live events, checked equipment in and out, performed troubleshooting and repairs as necessary, assisted DJs at the events with set up and sound checks.

Samples of my work

2022-2025

Audio Production

Word Escape Connect 2024

Available for download in the App Store and Google Play store.

Redout 2 Sound Redesign

This is my final project at Los Angeles Film School. I designed every sound you hear in this video. I used mostly PhasePlant for all my synthesis during this project. I modulated the synth parameters using a series of macros and PhasePlant’s slew limiter module to model the behavior of a real engine. I also heavily used granular synthesis to create randomized background ambience instead of just layering samples, including the wind, nature, and crowd noise.

Xayah/Rakan video – Foley performed by both me and classmates, dialogue was performed by classmates, both were recorded by me and classmates, everything else was designed by me.

40 & Single – Music is royalty free from Youtube, dialogue comes from the original TV series, everything else was designed by me.

Blade Runner – Music and dialogue is from the original trailer, everything else is designed by me.